18h00 / QUEER POP 2 – She and Her (and in French)

Zazie, Un Point C’est Tout
(France, 1996), by Didier Le Pecheur
Zazie, Adam & Yves
(France, 2002), by Mathieu Saliva
Zazie, Sucre Salé
(France, 1992), by Pascal d’Hoeraene
Zazie, Slow
(France, 2004), by Didier Le Pecheur
Zazie, Tout Le Monde
(France, 1998), by Jean-Baptiste Mondino
Mylène Farmer, Dégénération
(France, 2008), by Bruno Avillan
Mylène Farmer, California
(France, 1996), by Abel Ferrara
Mylène Farmer, Sans Logique
(France, 1989), by Laurent Boutonnant
Mylène Farmer, Que Mon Coeur Lâche
(France, 1992), by Luc Besson
Mylène Farmer, Libertine
(France, 1986), by Laurent Bouronannt
Zazie, Je Suis Un Homme
(France, 2007), by Yves Attai

Two French female pop icons in focus, both with an extensive and referential visual work. Mylène Farmer has been one of the most successful French pop singers since the mid 80s. She is best know for her bold and
overwhelming videos with a cinematographic edge and she’s long been a gay icon in French speaking territories. Zazie has been another strong figure in French music since the early 90s and in her videos there are
several references to queer culture and characters. Prestigious directors such as Luc Besson, Jean Baptiste Mondino and Abel Ferrara have directed videos for these two artists. N.G.